With roots in horror movies such as ‘Cannibal Holocaust’, found footage has grown to become a mainstay subgenre. For would-be indie filmmakers hoping to make their way in Hollywood, this subgenre of spooky cinema frequently provides an affordable entry point, catering to everyone from college students to catacomb explorers.
A lot of found footage films seem to put budget above audience enjoyment and narrative flow, but there are some real gems out there, like ‘Paranormal Activity’, as well as some cult favourites, like ‘The Last Broadcast’ and more recent releases, like ‘The Outwaters’.
Being innovative is essential in the world of found footage, which is why 'Look''s obscurity is so fascinating.’ 'Look’ is a notable divergence from the typical tropes if you're looking for something different. By telling the tale from the viewpoint of surveillance cameras, Look adopts a novel approach in contrast to the conventional focus on horror tropes like ghosts, demons, or aliens.
This unique method highlights the more sinister facets of human conduct in daily life. The movie is a fascinating experiment that deserves praise for departing from the traditional and frequently creatively restricting format of found footage, even though its themes may be overt and forceful.
‘Look’ sets itself apart by presenting the interwoven lives of its characters in a complex narrative seen through the surveillance camera lens.
The film stands out for its ambitious scope and interwoven storylines, even with its obvious thematic elements. This gives viewers a new insight into the possibilities available to the found footage genre. ‘Look’ should be commended for its ability to successfully experiment with the canvas it was given and for bringing something fresh to the table in a field where many films in this genre follow a formula.
– Farheen Ali
